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Chalk: The Art and Erasure of Cy Twombly, by Joshua Rivkin
Free PDF Chalk: The Art and Erasure of Cy Twombly, by Joshua Rivkin
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Pressestimmen
"A valuable synthesis of what’s been said and written about Twombly, and the author’s lyrical analyses of Twombly’s paintings are both lovely and insightful."—Andrew Martin, HARPER'S MAGAZINE "The book becomes a record of obsessive love without any outlet, dead ends, yearning — themes central to Twombly...[A] besotted, often very beautiful book." —Parul Sehgal, THE NEW YORK TIMES"Refreshing ... a story well told."—Bridget Quinn, Hyperallergic “Fascinating…this biography unveils for the first time the many complexities of Twombly’s artistic and personal life.”—Edward Goldman, KCRW’s Art Critic "A long, haunted letter of unrequited love, and a meta-analysis of true biography’s impossibility.”—Catherine Lacey for THE PARIS REVIEW "Chalk is an illuminating book... a laudable effort to lift the veil on an artist of concealment." —LOS ANGELES REVIEW of BOOKS "Achieves unusual dimensionality by putting the experience of standing for many hours in front of Twombly’s work together with travels to the places Twombly lived, and portraits of the people who surrounded him."—Rachel Cohen for BOMB “Meticulous…in clear, precise prose… Rivkin goes to great lengths to understand Twombly’s experience.”—ENTROPY "[A] rewarding excavation into the life of Cy Twombly... rich prose studded with flashes of poetry... [a] patient, loving exploration."—15 BYTES MAGAZINE "For an art lover, collector, student or fan: utterly fascinating."—THE STANDARD-TIMES (MA) “[A] passionate, prismatic biography…gripping and revelatory.”—OPEN LETTERS REVIEW "A creative portal into the life of the enigmatic, reclusive, modernist painter... Rivkin's first book—impeccably researched, lavishly and lovingly written, insightful and discerning—is a joy to read." —*starred* KIRKUS REVIEWS "Rivkin brings his sensibility and prowess as a poet and essayist to this unusually reflective, stealthily dramatic inquiry into the enigmatic life and work of artist Cy Twombly... An extraordinarily involving, gorgeously written chronicle of art, controversy, fame, and the perils of biography."—*starred* BOOKLIST “A singular reading experience”—SHELF AWARENESS"An entertaining and insightful biography of the painter.”—POETRY FOUNDATION “[A] compelling biography/memoir…Rivkin’s readings of the canvases provides as intimate encounter with the paintings as can be hoped for in print—and a valuable supplement to the catalogue (or, better yet, to a visit to the museum)…Indispensable.”—JHIBLOG“Reviled when young, revered when old, the elusive Twombly surprisingly emerges in this fascinating biography, which traces the difficulties of tracking down the man as thoroughly as it fills in the blurred, half-erased likeness. This is the record of a heroic journey of discovery.” —acclaimed author and memoirist Edmund White “Joshua Rivkin’s sensitive eye and investigative ambition expand and enrich our understanding of Cy Twombly's genius in this tenderly rendered biography.”—Rachel Corbett, author of You Must Change Your Life “So much more than a study of the life and work of the famously guarded Twombly. At once candid and tender, meditative and unsparing . . . this book is a gift to Twombly devotees and newcomers alike—as imbued with beauty, genius, and vitality as the artist’s work that is its subject.” —Lacy Johnson, author of The Other Side “Joshua Rivkin’s revelatory Chalk performs an archaeology of a life and explores the layers below those we think we already know (or maybe those we never even dreamed existed).” —R. Tripp Evans, author of Grant Wood: A Life “This book is a network of glances, an architecture of mirrors and hallways, all in pursuit of a ‘figure in the carpet’—the mysterious Twombly and the haunting scrawl of his beautiful paintings.” —Alexander Nemerov, Chair of the Department of Art and Art History at Stanford University and author of Soulmaker: The Times of Lewis Hine
Über den Autor und weitere Mitwirkende
Joshua Rivkin’s poems and essays have appeared in The New Yorker, Slate, The Southern Review, The Virginia Quarterly Review, and Best New Poets. A former Fulbright Scholar in Rome, Italy, as well as a Stegner Fellow in poetry, he has received awards from the Sustainable Arts Foundation, Fine Arts Work Center in Provincetown, Bread Loaf Writers’ Conference, and Ucross Foundation. He teaches creative writing for Stanford’s Continuing Studies and lives in Salt Lake City.
Alle Produktbeschreibungen
Produktinformation
Gebundene Ausgabe: 496 Seiten
Verlag: Melville House (16. Oktober 2018)
Sprache: Englisch
ISBN-10: 9781612197180
ISBN-13: 978-1612197180
ASIN: 1612197183
Größe und/oder Gewicht:
15,8 x 3 x 23,6 cm
Durchschnittliche Kundenbewertung:
3.0 von 5 Sternen
1 Kundenrezension
Amazon Bestseller-Rang:
Nr. 84.937 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
Ich bin Besitzer aller Werkverzeichnisse und der meisten Kataloge: die biografischen Informationen zu Twombly sind knapp und abstrakt. Sein zurück gezogenes Leben in Italien hat natürlich - nicht nur in mir - den Wunsch entfacht, einfach mehr über diesen tollen Künstler zu erfahren. Es fehlt das Gegengewicht zu den oft anstrengenden und leicht prätentiösen Texten von zB Heiner Bastian. Erhellende Texte wie der von Roland Barthes sind eher selten. Die offensichtlich frisierten bzw unterdrückten Hintergründe zu seiner Ehe und den Lebensumständen in Italien sind mir natürlich auch schon aufgefallen. Hier setzt der Autor mit aller Wucht dann an: Twombly war schwul. Ok, und jetzt? Wie so viele seiner Generation war er offensichtlich nicht in der Lage, offen mit seiner Sexualität umzugehen. Das war es dann aber auch schon. No big deal. Und ja, in den Bildern wimmelt es nur so von Phallie. Das Buch leidet Zunehmens an der zu starken Fokussierung auf genau diesem Thema. Des Weiteren wird die Fehde mit der Cy Twombly Foundation breit ausgerollt, anstatt Zeitgenossen/innen zu interviewen kommt er aus der Opferrolle nicht raus und verstrickt sich in einem Hin-und-Her mit dem wenig sympathischen Del Roscio... Es bleibt ein komischer Nachgeschmack und eigentlich gibt es nur Verlierer.
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